Movie Review: Cargo
Artists: Vikrant Massey, Shweta Tripathi, Nandu Madhav, Biswapati Sarkar, Hansal Mehta etc.
Director: Aarti Kadav
OTT: Netflix
Rating: **

If an emerging filmmaker has to measure the scale of his abilities with the praise received from producer director Anurag Kashyap, it is not wrong. However, the intention behind demonstrating it on social media is to question the ability of a talented director to trust himself. Cinema is the means of relying on yourself more than the audience, you don’t need to be cheated by any other. Yes, if you are trying to write a similar struggle story by joining the same league, it is a different thing. Aarti’s directorial debut ‘ Cargo ‘ is being released in the period of entertainment in which it is also a big challenge to see so much.

फिल्म- कार्गो

The first film was released on Friday. The press show was usually on Thursday evening and was written on Saturday. There was enough time for the critic to watch the film, consider it and then write on it with a cold mind. The excitement of the ‘ cargo ‘ review is the film of the period. This is a time when a little bit of a better average is seen, people become a lattu. Yes, negativity is such that people find it fake to draw Adil Hussain’s rickshaw in the film ‘ Exam ‘, and the first frame of the ‘ cargo ‘ looks amazing. Is the sacrifice of all times. It is not pleasant to see the film before release. Netflix did not even see the film earlier this time.

फिल्म- कार्गो

The film ‘ Cargo ‘ has been a film in discussion since its formation. A long time has passed. The film was seen by all the people earlier, and there were discussions on tea. However, because of his name and some of his story, the film could not awaken the curiosity of the general audience. Then last week, Sony Live released an excellent film by cutting it into four pieces, and it was understood that even the OTT giants understood the pulse of the cinema audience Hindi. ‘Cargo’ is a much lesser story than that. Both are science fiction, but the way of storytelling is the real difference between the two.

फिल्म- कार्गो

The story of birth and death says that all films have already been made in Hindi cinema. In those films of the Jitendra era, the story was costume drama, where it is wearing a chola of science fiction. After the agreement between man and the demon species, the death on Earth goes up and removes his memory. By taking a slate, it is presented to take birth again. Aarti Kadav has chosen the calendar much further to make the legend of this one line a science fiction. The story is fictional and its direction is also woven with these fantasies. But, in such a further story, such cheap-looking science tools show a lack of thinking, not just the budget. The budget ‘ JL 50 ‘ is not too much, but the director has kept his thinking big and the budget is low. Anurag was earlier said to have seen the best scenes of his home-made library films somewhere in his films. When watching Aarti’s film, if you miss Steven Soderberg’s ‘ Solaris ‘ and Duncan Jones ‘ moon ‘ repeatedly, you can understand where the problem is.

फिल्म- कार्गो

Even in terms of acting, the film has not become remarkable. The character of Vikrant Massey is such that the stress of his face helps to advance his character. The beginning of the year, vikrant from the film “Chhapak”, if the main lead in films starts to have a powerful role in good stories, they may be expanded like Manoj Bajpai. In that category, no young artist has yet replaced Manoj. Shweta Tripathi, who is 35 years old, needs to accumulate his energy now and make it right at the right time. They have an extension of acting, the directors need to get better. All other artists keep coming into the story. Never just to save the story from being cumbersome.

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